Whatitdo Archive Group is back with “Live At: Archive Group Studios”, the new EP consisting of three exclusive live performances and available on May 6th 2022 on all digital platforms.
Directly on the heels of their critically-acclaimed 2021 debut LP, “The Black Stone Affair”, Whatitdo Archive Group is back serving up three exclusive live performances recorded directly to tape at their Reno, NV studio. The EP will be available on May 6th 2022 on all digital platforms.
Known formally as a recording collective, this secretive west-coast based team allows us a rare glimpse into a thrilling, live take on their now cult-classic record. Oftentimes, studio projects are not easily replicated in a live environment, but that’s not the case with this flawless three song performance. Featuring the primary W.A.G. rhythm section of Alexander Korostinsky (bass), Mark Sexton (guitar), Aaron Chiazza (drums) and Christopher Sexton (keyboards) we are introduced to their small but ferocious horn section, percussionist and auxiliary keyboardist who hoist the arrangements to new heights, making these performances both authentic and unique in contrast to their intricate, refined studio version counterparts. The band once again leaves no stone unturned in regards to their unique approach to production value and creative recording techniques. “We use a mix of period correct analog recording gear and time-tested studio tricks to help us achieve the sonic qualities we enjoy so much in older recordings” says Korostinsky of the process.
Songs like “Blood Chief” offer the listener an insight into how this band can quickly operate as a classic funk-driven powerhouse– the horn section perfectly on cue with the band as they burn through this ’70s steeped cut that will make any fan of Incredible Bongo Band or Ennio Morricone‘s signature western compositions very happy. The French horror infused “La Pietra” demonstrates a darker, moodier side featuring spiraling piano, deep ominous baritone guitar and trademark harpsichord lines. This live EP wouldn’t be complete without the inclusion of ethio-jazz hit “Ethiopian Airlines” performed with the same brooding intensity as their studio cut.
Much like all good records, this live EP seems over all too soon and has you wanting to play it over again and again. Next time, perhaps a full-length live album will make its way to us. Clearly the audio and production quality alone demanded a proper digital release from Record Kicks. Essential.
